Triangle much differently than most boxes manufacturers, obviously but much really: the new Magellan sounds wonderful of course directly cello 2 (9000 euros per pair).
- Test: Triangle Magellan cello 2
- Data sheet
One can assume confidently the officer of triangle, that they themselves, with regard to enjoyment, know very well. Already, the founder of Renaud de Vergnette is a music connoisseur and designated gourmet. Also the new owner of Olivier de Hanover loves music above all and cultivated several wineries in France – in order to be able to afford this beautiful hobby -. His right hand, the very relaxed CEO Marc Le Bihan, Mr speaker, and wine is at the same time – there are unquestionably worse jobs…
Follow the triangle transducer since ever – very relaxing – two premises: high efficiency and maximum authenticity. Scale was and is always live music. The necessary drivers were hard to; even then on the world market they are therefore elaborate manual work still in the triangle factory in Soissons, at the edge of the Champagne region. It’s basically PA Chassis, which were bred on HiFi. With its robust construction, the light cones and the powerful magnets, they could do their service in the sound.
Level about everything?
Yet we do not have the triangle speakers Devil come out on loud bred. The values obtained in the TEST factory approaching 85 decibels for the cello 2 are compared with most other HiFi loudspeakers well and quite high enough for tube amps, but not really outstanding. The lower cutoff frequency with 27 Hertz (-6dB) for a box of this size is impressively low. At this point, the developer must always decide: deep or loud – both goes only with bass horns or giant boxes. Triangle found a very good compromise with the cello 2.
Why high-frequency horns?
But if the efficiency is eh not so extremely high, why then the HF Horn? “It is“, as development director Robert Thomas, “to a possible distortion-free Dynamics.” He takes the principle existing increased bundling in the dispersion at higher frequencies for it like in purchase. And yet a credo is like to heed at triangle: “music is in the Middle.” The frequency response of the cello 2 is pretty wavy in this area. “Not so important“, says Thomas. “We pay attention first and foremost on an excellent transient response.”
Establishing the cello 2 is just as loving as the production of the chassis. The quite slender and elegant painted structure rests on a wide base that gives good support and is decoupled from the ground by a soft absorber plate. A spike, which must be unscrewed so far until he felt the ground sits in front of the foot. He leads – according to Thomas’ thesis – to the vibrations generated by low – and midrange baffle. The front itself is only so wide, that bass and midrange drivers just fit.
To the point
Thus the Magellan fascinated cello 2 from the first moment: with this explosive start virtually from scratch. The snare drum in the listening test classic “Jazz at the pawnshop” sounds – p.! -impulsive pithy as a snare and not as a toy drum. The drummer uses a so-called broom, with which he strokes the skin of the drum – what works out the triangle very vividly here. Modern top dome like the diamond B & W are here though airy and finer fan out the broom. But this small shortcoming doesn’t bother, because she plays cello 2 so real.
The editorial Favorites ATC SCM 50 P and each are fantastic – and particularly, the ATC Thiel CS 3.7 round and balanced sound. But after switching to both speakers worked on the cello 2 kinda sluggish. And not only with intense Bass music a la Kruder & village master, but also with classical music. The cello 2 manages the wing of Markus Schirmer (“pictures at an exhibition” tacet) those impulsive authority to lend, which is characteristic of the large instrument.
This also applies to the lower layers. The triangle in the first moment sounds rather slim and sober precisely. But when asked, she pushes powerful bass waves that you would trust to the slim box.
The fine glow
In almost all stereoplay-speaker tests , there is at least a passageway with tube electronics – because it sounds a little more tubes because the music with good tube flows a bit better than with transistor amplifiers. Unfortunately only the most classic HiFi speaker with the underperforming piston are in harmony.
The cello 2 very well. Dreamy, welch luminous timbres at the Ayon-Monos Vulcan II from the shots took out and suddenly had the plasticity all the strings and singers. Very much of the magic remained even in smaller amps such as the Ayon spirit III get a full amplifier with 3500 euro costs only a fraction of the large station wagon.
How exactly the triangle gets out I can do not to say. But the cello 2 gives the impression as if the microphone stood with her closer to the artist as in other boxes. The music is so dynamic, eventful and – I think – fascinating.
Udo Lindenberg has built with his newly recorded classic “cello” (“MTV Unplugged – live from the Hotel Atlantic”) a musical monument to the instrument. In a line of text, it says: “I was sitting in the front row, and I thought you were so worrisome.” Better I can’t express too’s on the cello.
Triangle Magellan cello 2
Technical data and test results
|Installation tip:||free standing, distance 2.5 m, normal damped rooms from 20 m²|
|Operating voltage for 90 dB SPL||3.6 V|
|Impedance minimum stp||2.5 ohm|
|Maximum volume upper value||102 dB|
|Maximum volume lower value (> 45 Hz)||102 dB|
|Lower cut-off frequency (-3dB)||29 Hz|
|Lower cut-off frequency (-6 dB)||27 Hz|
|Short conclusion||Elegant, noble-looking stand box great accuracy of pulse with high authenticity. The Magellan cello 2 is a speaker that suggests music as live and harmonizes perfectly thanks to its good efficiency even with tubes.|
|Sound||Absolute top class|
|Sound points (70 points)||62|
|Overall rating (max. 120 points)||very good 81|
|Price / performance||Very good|
|tested in output||2 / 12|
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